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Worldles blis
composed by Anonymous (1575), Worldles blis (Harvard University Press, 1950), 1 page(s)
composed by Anonymous (1575), Worldles blis (Harvard University Press, 1950), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1575
Field of Study
Classical Music
Content Type
Score
Author / Creator
Anonymous
Date Published / Released
1950
Publisher
Harvard University Press
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The World's Congress of Representative Women, vol. 1
edited by May Eliza Wright Sewall, 1844-1920 (Chicago, IL: Rand and McNally, 1894, originally published 1894), 448 page(s)
edited by May Eliza Wright Sewall, 1844-1920 (Chicago, IL: Rand and McNally, 1894, originally published 1894), 448 page(s)
Collection
Women and Social Movements in the United States,1600-2000
Field of Study
Women and Social Movements
Content Type
Book
Contributor
May Eliza Wright Sewall, 1844-1920
Date Published / Released
1894
Publisher
Rand and McNally
Topic / Theme
Women's rights, Political and Human Rights, Equal Rights for Women, The Gilded Age & Progressive Era (1876–1913), Industrialization and Western Global Hegemony (1750–1914)
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The World's Congress of Representative Women, vol. 2
edited by May Eliza Wright Sewall, 1844-1920 (Chicago, IL: Rand and McNally, 1894, originally published 1894), 502 page(s)
edited by May Eliza Wright Sewall, 1844-1920 (Chicago, IL: Rand and McNally, 1894, originally published 1894), 502 page(s)
Collection
Women and Social Movements in the United States,1600-2000
Field of Study
Women and Social Movements
Content Type
Book
Contributor
May Eliza Wright Sewall, 1844-1920
Date Published / Released
1894
Publisher
Rand and McNally
Topic / Theme
Educational opportunities, Suffragism, Women's rights, Women in workforce, Political and Human Rights, Equal Rights for Women, The Gilded Age & Progressive Era (1876–1913), Industrialization and Western Global Hegemony (1750–1914)
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The World’s Ransoming
composed by James MacMillan, 1959- (1996), The World’s Ransoming (Boosey and Hawkes, 1996), 84 page(s)
composed by James MacMillan, 1959- (1996), The World’s Ransoming (Boosey and Hawkes, 1996), 84 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1996
Field of Study
Classical Music
Content Type
Score
Author / Creator
James MacMillan, 1959-
Date Published / Released
1996
Publisher
Boosey and Hawkes
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Worthy of Strong Support from All Classes
written by Charlotta Bass, 1880-1969, in California Eagle, August 22, 1914, p. 2 (originally published 1914), 1 page(s)
written by Charlotta Bass, 1880-1969, in California Eagle, August 22, 1914, p. 2 (originally published 1914), 1 page(s)
Collection
Women and Social Movements in the United States,1600-2000
Field of Study
Women and Social Movements
Content Type
News story
Author / Creator
Charlotta Bass, 1880-1969
Date Published / Released
1914-08-22
Topic / Theme
Political candidates, Social Reform and Political Activism, Political Parties and Other Male Dominated Organizations
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Would my conceit that first enforced my woe
composed by John Dowland, 1563-1626 (1597), Would my conceit that first enforced my woe (Musical Antiquarian Society Publications, 1848), 6 page(s)
composed by John Dowland, 1563-1626 (1597), Would my conceit that first enforced my woe (Musical Antiquarian Society Publications, 1848), 6 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1597
Field of Study
Classical Music
Content Type
Score
Author / Creator
John Dowland, 1563-1626
Date Published / Released
1848
Publisher
Musical Antiquarian Society Publications
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The Wounded Hussar
edited by John Waldorf Wagner, fl. 1937; composed by James Hewitt, 1770-1827 (1805), The Wounded Hussar (Middleton, WI: A-R Editions, Inc., 1980), 2 page(s)
edited by John Waldorf Wagner, fl. 1937; composed by James Hewitt, 1770-1827 (1805), The Wounded Hussar (Middleton, WI: A-R Editions, Inc., 1980), 2 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1805
Field of Study
Classical Music
Content Type
Score
Contributor
John Waldorf Wagner, fl. 1937, Thomas Campbell
Author / Creator
James Hewitt, 1770-1827
Date Published / Released
1980
Publisher
A-R Editions, Inc.
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Wounded Soldier – SOUTH AFRICA TIME HAS COME
performed by Leslie Palmer, 1943- (Trinidad and Tobago: Banyan Archive, 1988), 5 mins
Wounded Soldier (Leslie Palmer) music video: SOUTH AFRICA: TIME HAS COME
performed by Leslie Palmer, 1943- (Trinidad and Tobago: Banyan Archive, 1988), 5 mins
Description
Wounded Soldier (Leslie Palmer) music video: SOUTH AFRICA: TIME HAS COME
Field of Study
World Music
Content Type
Performance
Performer / Ensemble
Leslie Palmer, 1943-
Author / Creator
Leslie Palmer, 1943-
Date Published / Released
1988
Publisher
Banyan Archive
Copyright Message
Copyright © 1988. Used with permission of the Banyan Archive.
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Woven Ways
directed by Linda Helm Krapf, fl. 2008; produced by Linda Helm Krapf, fl. 2008 (Berkeley, CA: Berkeley Media, 2009), 49 mins
Filmed amid the dramatic landscapes of the Navajo reservation lands in eastern Arizona and western New Mexico, this multifaceted documentary incisively explores the profound relationships between the Navajo people, their land, and their livestock, and illustrates how their environment sustains their traditional…
directed by Linda Helm Krapf, fl. 2008; produced by Linda Helm Krapf, fl. 2008 (Berkeley, CA: Berkeley Media, 2009), 49 mins
Description
Filmed amid the dramatic landscapes of the Navajo reservation lands in eastern Arizona and western New Mexico, this multifaceted documentary incisively explores the profound relationships between the Navajo people, their land, and their livestock, and illustrates how their environment sustains their traditional culture and lives. The film also examines how environmental issues now threaten the Navajo’s health, culture, and well-being. Deadly…
Filmed amid the dramatic landscapes of the Navajo reservation lands in eastern Arizona and western New Mexico, this multifaceted documentary incisively explores the profound relationships between the Navajo people, their land, and their livestock, and illustrates how their environment sustains their traditional culture and lives. The film also examines how environmental issues now threaten the Navajo’s health, culture, and well-being. Deadly uranium mining and dirty coal power plants pose serious problems for the Navajo. Much of the nation’s uranium and valuable deposits of coal, gas, and oil lay beneath the Reservation, yet one-third of Navajo homes are without electricity. The Navajo live with all of the negative health and environmental impacts of these resources, yet share in few of the benefits derived from them. Woven Ways is an unusual documentary in that it allows Native Americans to tell their stories in their own words, with no script and no narration. It is a character-driven film that focuses on the individual stories of five Navajo families and the empirical evidence they gather each day from a life lived close to the earth. The film chronicles the resilience and steady resolve of these families to preserve their way of life and defend what is sacred to them – the land, air, and water – not just for themselves, but for generations to come. With its sensitively captured imagery and its compelling first-person testimonies, Woven Ways will inspire students and motivate thought and classroom discussion. The film will make a timely and important contribution to a variety of classes in Native American studies, cultural anthropology, sociology, American studies, Public Health, and environmental issues. It was produced by Linda Helm Krapf.
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Field of Study
Anthropology
Content Type
Documentary
Contributor
Linda Helm Krapf, fl. 2008
Author / Creator
Linda Helm Krapf, fl. 2008
Date Published / Released
2009
Publisher
Berkeley Media
Topic / Theme
Global Indigenous Perspectives, Environmental protection, Coal, Power plants, Environmental illnesses, Ecology, Sociology, Navajo, 21st Century in World History (2001– )
Copyright Message
Copyright © 2009 Berkeley Media
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Wozzeck
directed by Peter Mussbach, 1949-; composed by Alban Berg, 1885-1935 (1922); conducted by Sylvain Cambreling, 1948-; designed by Peter Mussbach, 1949-, Benedikt Ramm; produced by Rolf Herrmann, fl. 1982; performed by Dale Duesing, 1947-, Ronald Hamilton, Barry Banks, Dieter Bundschuh, Frode Olsen, Bodo Schwanbeck, Alexander Spemann, William Saetre, Kristine Ciesinski, 1952- and Linda Ormiston, 1948-, Frankfurter Museumorchester and Frankfurter Oper Children's Chorus, in Wozzeck (ArtHaus Musik, 1996), 1 hour 40 mins
Libretto by Alban Berg after the Play by Georg Büchner Berg was conscripted during the 1914-18 war and acquired from his experiences the compassion and loathing to write his first, terrifyingly great opera, about a soldier tormented and mocked by his superiors until he loses his reason, cutting the throat of his…
directed by Peter Mussbach, 1949-; composed by Alban Berg, 1885-1935 (1922); conducted by Sylvain Cambreling, 1948-; designed by Peter Mussbach, 1949-, Benedikt Ramm; produced by Rolf Herrmann, fl. 1982; performed by Dale Duesing, 1947-, Ronald Hamilton, Barry Banks, Dieter Bundschuh, Frode Olsen, Bodo Schwanbeck, Alexander Spemann, William Saetre, Kristine Ciesinski, 1952- and Linda Ormiston, 1948-, Frankfurter Museumorchester and Frankfurter Oper Children's Chorus, in Wozzeck (ArtHaus Musik, 1996), 1 hour 40 mins
Description
Libretto by Alban Berg after the Play by Georg Büchner Berg was conscripted during the 1914-18 war and acquired from his experiences the compassion and loathing to write his first, terrifyingly great opera, about a soldier tormented and mocked by his superiors until he loses his reason, cutting the throat of his mistress, and drowning himself. A devious world destroys Wozzeck’s sense of identity and turns him into a murderer. This brutalisation…
Libretto by Alban Berg after the Play by Georg Büchner Berg was conscripted during the 1914-18 war and acquired from his experiences the compassion and loathing to write his first, terrifyingly great opera, about a soldier tormented and mocked by his superiors until he loses his reason, cutting the throat of his mistress, and drowning himself. A devious world destroys Wozzeck’s sense of identity and turns him into a murderer. This brutalisation is made palpable in Peter Mussbach’s highly-stylised production which, in its expressionistic artificiality, heightens the emotional intensity of this searing work. In his hands Wozzeck becomes an agonizing lament over lost innocence. Mussbach is a master of visual and dramatic effect and the impact of his staging is enhanced by the framing opportunities afforded by video recording under studio conditions. Surfaces are steeply raked and blaze in primary colours; perspectives are flattened and distorted; space is confined; decoration has been stripped away; character is manifested through costumes, masks, make-up, movement; the particular stands for the collective. Dale Duesing, as Wozzeck, is a charismatic central figure, an agile performer, restless and tormented. The role of Marie is taken by Kristine Ciesinski, a consummate singer and actress of Berg’s work. Mussbach’s Hauptmann is reminiscent of Alfred Jarry’s Ubu Roi, and his Doctor brings to mind a frock-coated Frankenstein. These monsters of inhumanity are incisively portrayed by Dieter Bundschuh and Frode Olsen. A powerful tenor, Ronald Hamilton sings the role of the grotesquely overblown Drum Major. Conductor Sylvain Cambreling’s reading of the score is characterized by its structural clarity.
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Date Written / Recorded
1922, 1996
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Frankfurter Museumorchester, Frankfurter Oper Children's Chorus, Dale Duesing, 1947-, Ronald Hamilton, Barry Banks, Dieter Bundschuh, Frode Olsen, Bodo Schwanbeck, Alexander Spemann, William Saetre, Kristine Ciesinski, 1952-, Linda Ormiston, 1948-
Contributor
Sylvain Cambreling, 1948-, Benedikt Ramm, Alban Berg, 1885-1935, Rolf Herrmann, fl. 1982, Peter Mussbach, 1949-, Arne Ohlendorf, fl. 1984
Author / Creator
Alban Berg, 1885-1935, Peter Mussbach, 1949-, Frankfurter Museumorchester, Frankfurter Oper Children's Chorus, Dale Duesing, 1947-, Ronald Hamilton, Barry Banks, Dieter Bundschuh, Frode Olsen, Bodo Schwanbeck, Alexander Spemann, William Saetre, Kristine Ciesinski, 1952-, Linda Ormiston, 1948-
Date Published / Released
1996
Publisher
ArtHaus Musik
Topic / Theme
Opera, Johann Christian Woyzeck, Drum Major, Andres, Captain, Doctor, First Apprentice, Second Apprentice, Madman, Marie, Margret, Mariens Knabe
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