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Wenn mein Stündlein vorhanden ist
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Wenn mein Stündlein vorhanden ist

edited by Hans Joachim Moser, 1889-1967 and C. Russell Crosby, fl. 1961; composed by Friederich Wilhelm Zachow, 1663-1712 (1702) (Breitkopf and Härtel and Akademische Druckund Verlagsantalt, 1961), 1 page(s)

Wenn mein Stündlein vorhanden ist

edited by Hans Joachim Moser, 1889-1967 and C. Russell Crosby, fl. 1961; composed by Friederich Wilhelm Zachow, 1663-1712 (1702) (Breitkopf and Härtel and Akademische Druckund Verlagsantalt, 1961), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1702
Field of Study
Classical Music
Content Type
Score
Contributor
Hans Joachim Moser, 1889-1967, C. Russell Crosby, fl. 1961
Author / Creator
Friederich Wilhelm Zachow, 1663-1712
Date Published / Released
1961
Publisher
Breitkopf and Härtel, Akademische Druckund Verlagsantalt
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Wer die steile Sternenbahn, D. 63
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Wer die steile Sternenbahn, D. 63

composed by Franz Peter Schubert, 1797-1828 (1813) (Breitkopf and Härtel, 1897), 1 page(s)

Wer die steile Sternenbahn, D. 63

composed by Franz Peter Schubert, 1797-1828 (1813) (Breitkopf and Härtel, 1897), 1 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1813
Field of Study
Classical Music
Content Type
Score
Contributor
Friedrich Schiller, 1759-1805
Author / Creator
Franz Peter Schubert, 1797-1828
Date Published / Released
1897
Publisher
Breitkopf and Härtel
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Wer hat gemeint, dass du, zarte frau
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Wer hat gemeint, dass du, zarte frau

edited by Robert Eitner; composed by Heinrich Finck, 1445-1527 (1536) (Trautwein'sche Buch- u. Musikalienhandlung M. Bahn, 1879), 3 page(s)

Wer hat gemeint, dass du, zarte frau

edited by Robert Eitner; composed by Heinrich Finck, 1445-1527 (1536) (Trautwein'sche Buch- u. Musikalienhandlung M. Bahn, 1879), 3 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1536
Field of Study
Classical Music
Content Type
Score
Contributor
Robert Eitner
Author / Creator
Heinrich Finck, 1445-1527
Date Published / Released
1879
Publisher
Trautwein'sche Buch- u. Musikalienhandlung M. Bahn
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Wer ist Bär?, Op. 64, No. 4
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Wer ist Bär?, Op. 64, No. 4

edited by Maximilian Runze, 1849-1931; composed by Carl Loewe, 1796-1869 (1837) (Breitkopf and Härtel, 1904), 6 page(s)

Wer ist Bär?, Op. 64, No. 4

edited by Maximilian Runze, 1849-1931; composed by Carl Loewe, 1796-1869 (1837) (Breitkopf and Härtel, 1904), 6 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1837
Field of Study
Classical Music
Content Type
Score
Contributor
Maximilian Runze, 1849-1931, Wilhelm Häring (Willibald Alexis), 1798-1871
Author / Creator
Carl Loewe, 1796-1869
Date Published / Released
1904
Publisher
Breitkopf and Härtel
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Wer Treu mit Falsch vergelten will
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Wer Treu mit Falsch vergelten will

edited by Robert Eitner and Julius Joseph Maier, 1821-1889; composed by Erhard Oeglin, 1470-1520 (1512) (Trautwein'sche Buch- u. Musikalienhandlung M. Bahn, 1880), 2 page(s)

Wer Treu mit Falsch vergelten will

edited by Robert Eitner and Julius Joseph Maier, 1821-1889; composed by Erhard Oeglin, 1470-1520 (1512) (Trautwein'sche Buch- u. Musikalienhandlung M. Bahn, 1880), 2 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1512
Field of Study
Classical Music
Content Type
Score
Contributor
Robert Eitner, Julius Joseph Maier, 1821-1889
Author / Creator
Erhard Oeglin, 1470-1520
Date Published / Released
1880
Publisher
Trautwein'sche Buch- u. Musikalienhandlung M. Bahn
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Wer weiss, wie nahe mir mein Ende!, BWV 27
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Wer weiss, wie nahe mir mein Ende!, BWV 27

composed by Johann Sebastian Bach, 1685-1750 (1726) (Bach Gesellschaft Edition, Leipzig, 1899), 26 page(s)

Wer weiss, wie nahe mir mein Ende!, BWV 27

composed by Johann Sebastian Bach, 1685-1750 (1726) (Bach Gesellschaft Edition, Leipzig, 1899), 26 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1726
Field of Study
Classical Music
Content Type
Score
Author / Creator
Johann Sebastian Bach, 1685-1750
Date Published / Released
1899
Publisher
Bach Gesellschaft Edition, Leipzig
Sections
Chorus and Recit: 'Wer weiss, wie nahe mir mein Ende!'
Recit: 'Mein Leben hat kein ander Ziel'
Aria: 'Wilkommen! will ich sagen'
Recit: 'Ach, wer doch schon im Himmel war!'
Aria: 'Gute Nacht, du Weltgetümmel!'
Chorale: 'Welt, ade! ich bin dein müde'
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Wer, wenn ich schriee, hörte mich…
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Wer, wenn ich schriee, hörte mich…

composed by Georg Friedrich Haas, 1953- (1999) (Universal Edition, 1999), 47 page(s)

Wer, wenn ich schriee, hörte mich…

composed by Georg Friedrich Haas, 1953- (1999) (Universal Edition, 1999), 47 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1999
Field of Study
Classical Music
Content Type
Score
Author / Creator
Georg Friedrich Haas, 1953-
Date Published / Released
1999
Publisher
Universal Edition
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Werfet Panier auf im Lande
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Werfet Panier auf im Lande

edited by Max Seiffert, 1868-1948; composed by Georg Philipp Telemann, 1681-1767 (1750) (Akademische Druckund Verlagsantalt and Breitkopf and Härtel, 1961), 3 page(s)

Werfet Panier auf im Lande

edited by Max Seiffert, 1868-1948; composed by Georg Philipp Telemann, 1681-1767 (1750) (Akademische Druckund Verlagsantalt and Breitkopf and Härtel, 1961), 3 page(s)
Collection
Classical Scores Library, Volume I
Date Written / Recorded
1750
Field of Study
Classical Music
Content Type
Score
Contributor
Max Seiffert, 1868-1948
Author / Creator
Georg Philipp Telemann, 1681-1767
Date Published / Released
1961
Publisher
Akademische Druckund Verlagsantalt, Breitkopf and Härtel
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Werther
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Werther

directed by Brooks Riley, fl. 2002; composed by Jules Emile Frédéric Massenet, 1842-1912 (1887); conducted by Daniel Carlberg; designed by Christian Floeren, Ute Frühling, Gerd Meier; produced by Torsten Bönnhoff, fl. 2012 and Erwin Sturzer, fl. 2003, RM Arts; performed by Clara Lim, fl. 2008, Mika Kares, 1978-, Armin Kolarczyz, Silvia Hablowetz, fl. 2002, Keith Ikaia-Purdy, fl. 1990, Gideon Poppe, fl. 2009, Andreas Heideker, fl. 2004, Ina Schlingensiepen, fl. 1997 and Tero Hannula, 1946-, Children Chorus of the Helmholtz-Gymnasium, Badische Staatskapelle and Supernumeraries of the Staatstheater Karlsruhe (Halle, Saxony-Anhalt: ArtHaus Musik, 2008), 2 hours 20 mins
Jules Massenet´s opera Werther belongs to the most favourite works of French repertoire. It is in the first wave of German Romantic literature that Massenet found the source for his doubtless most powerful work – and certainly his most popular ! Might the French musician have detected in his own life the…

Werther

directed by Brooks Riley, fl. 2002; composed by Jules Emile Frédéric Massenet, 1842-1912 (1887); conducted by Daniel Carlberg; designed by Christian Floeren, Ute Frühling, Gerd Meier; produced by Torsten Bönnhoff, fl. 2012 and Erwin Sturzer, fl. 2003, RM Arts; performed by Clara Lim, fl. 2008, Mika Kares, 1978-, Armin Kolarczyz, Silvia Hablowetz, fl. 2002, Keith Ikaia-Purdy, fl. 1990, Gideon Poppe, fl. 2009, Andreas Heideker, fl. 2004, Ina Schlingensiepen, fl. 1997 and Tero Hannula, 1946-, Children Chorus of the Helmholtz-Gymnasium, Badische Staatskapelle and Supernumeraries of the Staatstheater Karlsruhe (Halle, Saxony-Anhalt: ArtHaus Musik, 2008), 2 hours 20 mins
Description
Jules Massenet´s opera Werther belongs to the most favourite works of French repertoire. It is in the first wave of German Romantic literature that Massenet found the source for his doubtless most powerful work – and certainly his most popular ! Might the French musician have detected in his own life the inspiration for these pages about the tormented fate of Werther and Charlotte, of their impossible love, their sighs, their unhappiness? Rarely…
 Jules Massenet´s opera Werther belongs to the most favourite works of French repertoire. It is in the first wave of German Romantic literature that Massenet found the source for his doubtless most powerful work – and certainly his most popular ! Might the French musician have detected in his own life the inspiration for these pages about the tormented fate of Werther and Charlotte, of their impossible love, their sighs, their unhappiness? Rarely has the author of Manon found a more poignant or fitting touch, leading the listener right inside the tempestuous soul of his characters. It was first performed in 1892 in Vienna, and based on a famous novel by J.W.Goethe “The Sorrows of Young Werther”. The story of a main character Werther takes place around 1772 in Wetzlar near Frankfurt, and unveils a touching drama of two young hearts who were not allowed to find happiness, because of the conventions of the period and family conditions. When Werther meets Charlotte, he falls in love with her at first sight but is desolated after finding out she is about to marry someone else. Charlotte´s jolly and optimistic sister Sophie hides her feelings she secretly cherishes towards Werther who is hopelessly infatuated with Charlotte and has numerous time, to no avail, attempted to win her heart. Show more Show less
Date Written / Recorded
1887
Field of Study
Classical Music
Content Type
Performance
Performer / Ensemble
Children Chorus of the Helmholtz-Gymnasium, Badische Staatskapelle, Supernumeraries of the Staatstheater Karlsruhe, Clara Lim, fl. 2008, Mika Kares, 1978-, Armin Kolarczyz, Silvia Hablowetz, fl. 2002, Keith Ikaia-Purdy, fl. 1990, Gideon Poppe, fl. 2009, Andreas Heideker, fl. 2004, Ina Schlingensiepen, fl. 1997, Tero Hannula, 1946-
Contributor
Daniel Carlberg, Ute Frühling, Georges Hartmann, 1843-1900, Paul Milliet, 1855-1924, Édouard Blau, 1836-1906, Gerd Meier, Torsten Bönnhoff, fl. 2012, Erwin Sturzer, fl. 2003, RM Arts, Jules Emile Frédéric Massenet, 1842-1912, Christian Floeren
Author / Creator
Jules Emile Frédéric Massenet, 1842-1912, Brooks Riley, fl. 2002, Children Chorus of the Helmholtz-Gymnasium, Badische Staatskapelle, Supernumeraries of the Staatstheater Karlsruhe, Clara Lim, fl. 2008, Mika Kares, 1978-, Armin Kolarczyz, Silvia Hablowetz, fl. 2002, Keith Ikaia-Purdy, fl. 1990, Gideon Poppe, fl. 2009, Andreas Heideker, fl. 2004, Ina Schlingensiepen, fl. 1997, Tero Hannula, 1946-
Date Published / Released
2008
Publisher
ArtHaus Musik
Topic / Theme
Bailli, Albert, Werther, Sophie, Charlotte, Käthchen, Brühlmann, Johann, Schmidt
Segments
Opening Credits
Prelude
Act 1
Act 2
Act 3
Act 4
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West Africa Today: The Lebanese and Chinese Entrepreneurs
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West Africa Today: The Lebanese and Chinese Entrepreneurs

directed by Sara Goldblatt, fl. 2011 (New York, NY: Filmakers Library, 2011), 25 mins
WEST AFRICA TODAYThe Lebanese and Chinese EntrepreneursA film by Sara GoldblattIn this age of globalization, here is a cameo portrait of how the local population of a "developing" African nation responds to the advances of foreigners bringing economic growth, but also potential cultural conflict.The film traces…

West Africa Today: The Lebanese and Chinese Entrepreneurs

directed by Sara Goldblatt, fl. 2011 (New York, NY: Filmakers Library, 2011), 25 mins
Description
WEST AFRICA TODAYThe Lebanese and Chinese EntrepreneursA film by Sara GoldblattIn this age of globalization, here is a cameo portrait of how the local population of a "developing" African nation responds to the advances of foreigners bringing economic growth, but also potential cultural conflict.The film traces the history of Lebanese settlement in Ghana and Senegal from the 1860's, when the first families arrived in the "new world" thinking…
 WEST AFRICA TODAYThe Lebanese and Chinese EntrepreneursA film by Sara GoldblattIn this age of globalization, here is a cameo portrait of how the local population of a "developing" African nation responds to the advances of foreigners bringing economic growth, but also potential cultural conflict.The film traces the history of Lebanese settlement in Ghana and Senegal from the 1860's, when the first families arrived in the "new world" thinking they had landed in America. They quickly assimilated, learned the language, established retail stores, and interacted closely with the local population. The Lebanese prospered until the 1970's when nationalistic governments in Ghana and Senegal started pushing them out of retail business and into wholesale. The arrival of Chinese business owners and shopkeepers in the 1990s further impacted an already weakened Lebanese economic elite.The Chinese were very competitive and offered wares at far lower prices into the wholesale market. The Chinese outlook was quite different from the Lebanese. They planned to make money and return to China, whereas the Lebanese, who often considered themselves as "Africans" remained fully tied to their lifestyle in Africa and often intermarried.In addition to hearing from both immigrant groups, the Africans express resentment towards the foreigners who they feel take their resources. One African says that the Chinese represent a serious world power and cannot be "messed with."The insights this film offers will be useful in many contexts: economics, business, cultural anthropology, and African studies.30 min. Show more Show less
Field of Study
Anthropology
Content Type
Documentary
Contributor
Sara Goldblatt, fl. 2011
Author / Creator
Sara Goldblatt, fl. 2011
Date Published / Released
2011
Publisher
Filmakers Library
Topic / Theme
African, Chinese, Lebanese, Immigrant populations, Social conflict, Entrepreneurship, Business, Cultural assimilation, Ethnography, Africans
Copyright Message
Copyright © 2011. Used by permission of Filmakers Library.
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